In Dahl’s Tales of the Unexpected,
stories have routinely uncomplicated structures: playful-toned storytelling
until almost the end and then a sudden twist-usually swiftly turning towards
the extreme negative-at the end. Through such negative twists at the end of the
stories, Dahl successfully conveys his themes on the ugliness of human nature
pertaining to greed.
In most of the
stories, the setting and milieu of the scenes are luxurious. In stories such as
Taste, My Lady Love, My Dove, Dip in the
Pool, and Skin, characters who
engage in a broad range of lavish activities appear: from gourmets and lovers
of wine to a dilettante who acts as if he was a great patron of arts. The
settings are also quite deluxe as well, ranging from a grand house of an aged
but bored couple of wealth to a passenger ship with auctions going on. However,
the characters are not really fit for such deluxe lifestyle. Often, Dahl’s
clever twists at the end reveal this truth. Richard Pratt turned out to be a
cheater after all, the young Snapes were actually not so affluent and were
desperate for money, Mr. Botibol committed stupidity for money and lost his
life, and Drioli certainly was not a man who could afford his expensive tastes
for the arts.
Comprehension
of the deep meanings underneath these few silly stories becomes possible with the
recognition of the basic desire of mankind to lead luxurious lives far above
those of others. Although people are born with such longing, people stop and
resign with simply feigning their ideally desired selves in plebeian
environments because the futile dreams they had held turned out to be much too
unrealistic. In Tales of the Unexpected,
Dahl explores the inane high-dimensional greed and the sad reality that
prevents such yearning from coming true.
Because
of the initial calm tone and description with nothing noticeable going on, I
first got the impression that the stories were too naïve and dull. However,
after getting accessed to the sudden bend, I was able to grasp Dahl’s
intentions. The initial plainness was intended to arouse a sense of normalness
that anyone can find in commonsense situations. At normal settings like these,
people wouldn’t do such foolish things just as the characters mentioned above
have done. But when the silly desire for luxury comes in play, they are capable
of committing silly and even wicked deeds to feign what they wish to be.

Dahl rather
explicitly reveals the dark side of human nature with a clear contrast between
the plain, fun tone at beginning of each story and grave, gruesome twist at the
end. I have not yet read more than half of the stories in this book, but it has
become quite clear that he wanted reveal that greed comes in play even in most
normal settings, and people carry out downright stupidity because they have a
desire to belong to the upper cluster.
Some really nice and succinct writing here, which creates the impression that you are challenging yourself and coming into your own as a writer. I sense some improvement over the last year, especially in terms of consistency and ability to pull off sentences that are not the least bit "plebeian."
ReplyDeleteI also like the path of argument you guide readers through, and this is a very shrewd observation you make about class. The world after WWII definitely concerned itself with civility and luxury once the dust settled in Europe, and Dahl reflects that consistently in his work. While not quite Aesop's fables, these stories can be seen as "morality tales" to some extent. But I also think Dahl wants us to have a chuckle.
Good stuff.